Thursday, 15 November 2012

Andres Serano style images

'Even though I consider myself a conceptual artist, I am a traditionalist when it comes to photography. I like to use film and shoot straight. No technical gimmicks or special effects. What you see is what I saw when I looked though the camera. If I've dazzled you with lights and colors, it's because I've dazzled you with lights and colors. Ideas are more important than effects. And effects are always better when they're real.' http://www.artnet.com/awc/andres-serrano.html


Born in 1950 in New York, Andres Serrano was raised in a devoutly Catholic neighborhood where religion played a significant part of his growing up. From his first images as an artist, sacred icons and other symbolic elements have been frequenting his tableaux-like photographs. From religious iconography, human subjects, dead animals to more precise elements such as blood (a symbol for passion and violence), urine, milk, semen and later excrement, the artist seeks to convey a sense of dignity to his subjects and to reconcile the sacred and the profane through what Germano Celant termed as “the synthesis of the opposite”, so that “the lower part is in dialogue with the upper part, the human with the divine, the earthbound with the celestial”.
Despite his emphasis that it’s not his intention to shock or offend the public, Serrano’s work is often proved to be far more provocative than he ever intended. His now infamous photograph of a crucifix submerged in urine, titled Piss Christ (1987), was criticized by the Senator Alfonse D'Amato as “obscene art” in the late 1980s (the polemic has ironically earned him fame as a young artist). Twenty years later, the controversy goes on. Last April (2011), when the photograph was shown in Avignon amidst the collection of the French collector and gallery owner, Yvon Lambert, an angry group of fundamentalist Christians marched in to destroy the work with hammers and ice-picks.  

'I always say that my works are open to interpretation. Sometimes I know what I mean and other times I am less clear. I don’t really care what I intend because creativity is an act of the imagination and it doesn't need explanation. I don’t feel the need to defend my work because an artist should be articulate only when he or she feels the need to express themselves. Otherwise, the artist should withdraw and let the work speak for itself. One thing I have learnt over the years is that people have their own interpretations, they see different things. I remember when I did the portraits of the Klan, my assistant commented that “these portraits look like recruitment posters for the Klan”. I was definitely taken aback by his comment. It was not my intent to glorify the Klan but when I shoot my subjects, I monumentalize them and make them bigger than life. No matter who or what I photograph, I try to make the strongest image possible.'
http://www.initiartmagazine.com/interview.php?IVarchive=87

Andres Serrano. Immersions (Piss Christ), 1987

http://www.reframingphotography.com/content/andres-serrano

Piss Elegance, 2004

http://www.artspace.com/andres_serrano/piss_elegance 

America, 2003



'My intent as an artist is to monumentalize or aestheticize the mundane. But it is also important that I identify with my subjects.'                                                 
                                                                      Andres Serrano

http://www.artspace.com/andres_serrano/america

 Child Abuse (from the Morgue Series), 1996

http://www.artspace.com/andres_serrano/child_abuse
 
http://www.disappearedinamerica.org/timeline/images/Serrano_Torture_NYT.jpg

http://www.artnet.de/newsletter/html/images/image1103a.jpg

http://www.espacioluke.com/2006/Julio2006/images/AndreSerrano/AS-Klansman-04p.jpg 
http://www.criticarte.com/Images/Images2003/AndresSerrano.Suicidio.jpg


http://www.leggievai.it/wp-content/photos/tb_la_morgue_andres_serrano.jpeg


http://www.espacioluke.com/2006/Julio2006/images/AndreSerrano/AS-America-09p.jpg

http://www.fashion.at/foto/serrano10-2004c.jpg


http://www.picsearch.com/imageDetail.cgi?id=sHq83D6qvuHRTOer-EWAOlArrn70-2nEL0pcaLnHSKc&width=1903&start=82&q=Andres%20Serrano

http://www.portfoliocatalogue.com/21/main2.jpg



Photomanipulation / photomontage

Timberland Abington Concept by Hung - Ju Hsia
Ash Iv by Marcela Bolivar
Train by Manuel Lao
Kiwiange by Jan Vicknair
Ash 1 by Marcela Bolivar
Ash lii by Marcela Bolivar
Thirsty by Mehdi Kavei
Halloween Blues by Barbara Moustafa
http://www.advancedphotoshop.co.uk/category/photomontage

Monday, 12 November 2012

Photo montage


Montage is the technique where different images are combined to create a single new composition. Montage is similar to collage. Collage is a technique of art production, primarily used in the visual arts, where the artwork is made from an assemblage of different forms, thus creating a new whole.

A collage may sometimes include newspaper clippings, ribbons, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. 

The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term collage derives from the French "coller" meaning "glue". This term was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art.

 Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgar


 Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919, collage of pasted papers, Staatliche Museum, Berlin.


 Jane Frank, "Plum Point" (1964), wood collage


The wood collage is a type that emerged somewhat later than paper collage. Much wood collage art is considerably smaller in scale, framed and hung as a painting would be. It usually features pieces of wood, wood shavings, or scraps, assembled on a canvas (if there is painting involved), or on a wooden board. Such framed, picture-like, wood-relief collages offer the artist an opportunity to explore the qualities of depth, natural color, and textural variety inherent in the material, while drawing on and taking advantage of the language, conventions, and historical resonances that arise from the tradition of creating pictures to hang on walls. The technique of wood collage is also sometimes combined with painting and other media in a single work of art.

Decoupage is a type of collage usually defined as a craft. It is the process of placing a picture into an object for decoration. Decoupage can involve adding multiple copies of the same image, cut and layered to add apparent depth. The picture is often coated with varnish or some other sealant for protection. http://en.wikipedia.org/wiki/Collage

 Henri Matisse, Blue Nude II, 1952, gouache découpée, Pompidou Centre, Paris


Photomontage is the process and result of making a composite photograph by cutting and joining a number of other photographs. The composite picture was sometimes photographed so that the final image is converted back into a seamless photographic print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as "compositing", and in casual usage is often called "photoshopping". 

The first and most famous mid-Victorian photomontage (then called combination printing) was "The Two Ways of Life" (1857) by Oscar Rejlander, followed shortly by the pictures of photographer Henry Peach Robinson such as "Fading Away" (1858). These works actively set out to challenge the then-dominant painting and theatrical tableau vivants.






Fading Away, a combination print by Henry Peach Robinson, 1858

Fantasy photomontaged postcards were popular in the Victorian and Edwardian periods.The preeminent producer in this period was the Bamforh Company, in Holmfirth, West Yorksihire, and New York. But the high point came during World War I, when photographers in France, Great Britain, Germany, Austria, and Hungary produced a profusion of postcards showing soldiers on one plane and lovers, wives, children, families, or parents on another. Many of the early examples of fine-art photomontage consist of photographed elements superimposed on watercolours, a combination returned to by (e.g.) George Grosz in about 1915. He was part of the Dada (1) movement in Berlin which was instrumental in making montage into a modern art-form. They first coined the term "photomontage" at the end of the war, around 1918 or 1919.
(1) Dada or Dadaism was an art movement of the European avant-garde in the early twentieth century. It began in Zurich, Switzerland in 1916, spreading to Berlin shortly thereafter. The movement primarily involved visual arts, literature, poetry, art manifestoes, art theory, theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. In addition to being anti-war, Dada was also anti-bourgeois and had political affinities with the radical left.
The other major exponents were John Heartfield, Hannah Höch, Kurt Schwitters, Raoul Hausmann and Johannes Baader. Individual photos combined together to create a new subject or visual image proved to be a powerful tool for the Dadists protesting World War I and the interests that they believed inspired the war. Photomontage survived Dada and was a technique inherited and used by European Surrealists such as Salvador Dalí. The world's first retrospective show of photomontage was held in Germany in 1931. A later term coined in Europe was "photocollage"; which usually referred to large and ambitious works that added typography and brushwork or even actual objects stuck to the photomontage. The pioneering techniques of the early photomontage artists were co-opted by the advertising industry from the late 1920s onwards.

A 1950 photomontage by Grete Stern

 

Richard Hamilton, John McHale, Just What Is It That Makes Today’s Homes So Different, So Appealing? 1956, collage


 Romare Bearden, The Calabash, collage, 1970, Library of Congress


Creating a photomontage has, for the most part, become easier with the advent of computer software such as Adobe Photoshop (graphics editing program), Pixel image editor, and GIMP (image retouching and editing tool). These programs make the changes digitally, allowing for faster workflow and more precise results. They also mitigate mistakes by allowing the artist to "undo" errors. Yet some artists are pushing the boundaries of digital image editing to create extremely time-intensive compositions that rival the demands of the traditional arts. The current trend is to create pictures that combine painting, theatre, illustration and graphics in a seamless photographic whole.


Digital collage is the technique of using computer tools in collage creation to encourage chance associations of disparate visual elements and the subsequent transformation of the visual results through the use of electronic media. It is commonly used in the creation of digital art.


A 3D Collage is the art of putting altogether 3-Dimensional objects such as rocks, beads, buttons, coins or even soil to form a new whole or a new object. 3D collage is often one of the infamous kinds of collage. Examples of these can be a houses, bead circles, etc.

Mosaic is the art of putting together or assembling of small pieces of paper, tiles, marble, stones, etc. They are often found in cathedrals, churches, temples as a spiritual significance of interior design.Small pieces, normally roughly quadratic, of stone or glass of different colors, known as tesserae, (diminutive tessellae), are used to create a pattern or picture.
http://en.wikipedia.org/wiki/Collage

I created some examples of photo montage using some quotes and images.